Evelyn Sinclair - A Lesson from Tuscany

It’s hard to believe that the events detailed in my three Tuscany blogs actually took place three months ago!  So much had happened and there was so much to digest, but not too long ago I was contacted by traveling model, Evelyn Sinclair, who wanted to know if I had an interest in shooting with her.  I figured, why not!  It would be the perfect time to see if I could put into practice what I had learned from Damien Lovegrove, specifically about lighting.

So ... I packed up my X-H1 and Godox AD200 and went off to meet with Evelyn at a pre-determined location.

Here’s our first official shot.  You can see that I forgot to get away from shooting wide open with the flash, but it actually turned out okay.  As there was nothing around her, shooting wide open didn’t take away from the shot.  Her face is about as sharp as it should be.

ISO 200 * 56mm f/1.2 lens * f/1.2 * 1/2000sec

This next shot was an attempt to duplicate a shot that I did with Terez Kocova on Tuscany Day Three when we were on the streets of Volterra. The Godox AD200 is to the left of the frame with a 7 inch reflector and grid affixed to the bare bulb head. This time I shot at f/5.6 so as to get some texture of the wall behind her. I could have gone with f/8 in order to pull out more details fo the wall, but as you can see from the shutter speed, it was getting quite low and I didn’t have a tripod to mount the camera on (yet another lesson learned).

ISO 200 * 35mm F/1.4 lens * f/5.6 * 1/75sec

This final shot pretty much nailed it for me. Once I snapped it and looked at it in the camera, I knew that I had at least taken away something from my time with Damien.

ISO 200 * 56mm f/1.2 lens * f/5.6 * 1/60sec

The tree is sharp and Evelyn is sharp, and I like the fall-off of light, plus the light in the background, which is just natural sunlight streaming through the trees. The AD200 was to the right and atop a light stand that was precariously balanced on uneven ground. I still had the 7 inch grid and reflector on it.

I much prefer the black and white version, but here’s a look at the color version, where the sharpness of the image is more apparent.

ISO 200 * 56mm f/1.2 lens * f/5.6 * 1/60sec

I think both images work.  The color image would probably be best for print (hmm, perhaps this is the first image in what could be a calendar), but the black and white image lends itself nicely for social media.

So what could I have done differently?  First, I could have shot the above images at f/8; that would have made things much much sharper.  And I read that the 56mm f/1.2 gets sharper at f/2.8 and the sharpness really looks sweet between f/4 - f/8, so I was within the specs.  Of course, shooting at f/8 probably would have meant at shutter speed of 1/50sec or lower, and that would have meant the need for a tripod.  And finally, my light stand almost toppled a few times because of the uneven ground, so I’ve rectified that by getting my hands on an Avenger Alu Baby Light Stand with leveling leg, so no more uneven ground issues (hopefully) in the future.

So that’s sort of it for models for the year.  Maybe.  The holidays are now here, so I’ve got quite a few things on the docket, the most notable being a return to Bethlehem AD for their 26th year.  And hopefully, this year I won’t get affectionately slobbered on by a camel…