Tuscany 2018 - Day Three

After a whirlwind two days at the workshop, day three proved to be even more fruitful! I’d been learning a lot, perhaps too much for my brain to process, at least at the time. Days One and Two kicked off at 9am and ended close to 7pm, so lots of shooting.

For Day Three, we spent the first part of the morning taking pics on the grounds of the villa. This first shot is all-natural morning sunlight. No artificial lighting, but just a slight bump in temperature.

ISO 200 * 56mm f/1.2 lens * f/1.2 * 1/8000 sec

Damien’s version of the above photo had significantly less of a temperature bump, which made it look more like just before sunrise. I like his version, but also mine. I think though that it would have been better if the photo was somewhere in-between temperature-wise.

Next we walked over to the olive trees and to photograph Terez in a bathing suit and a hat.

ISO 200 * 90mm f2 lens * f/2 * 1/2000 sec

There was a nice line in trees in the distance behind Terez, so I did my best to line it up. Again, all natural light for this photo. You’ll notice from the shutter speed that it was fairly high, but it could have been higher, had it not been for the shading of the trees. I’ve been noticing that the Fuji 90mm f/2 lens is very sharp wide open! The other lenses like the 56mm f/1.2, those don’t start getting incredibly sharp until around f/2.8.

After shooting amongst the trees, we all hopped into our cars and hit the road towards Volterra. On the way, we stopped at a spot that overlooked the valley and took the following shot.

ISO 200 * 35mm f/1.4 lens * f/13 * 1/1000 sec

We used a Godox AD600 at full power to light this shot. It was already super-bright out, but shooting at f/13 without a light would have made Terez a little darker, so the AD600 gave Terez that extra pop. The Fujifilm Velvia film simulation brought out the red dress even more. Using f/13 ensured that you could see the finer details of the landscape behind her.

Moving on towards the city of Volterra itself, Damien found this wonderful spot near the central plaza of the city. We used the Godox AD600 again in this spot, and again a smaller aperture in order to capture the details of the wall and the cobblestone.

ISO 200 * 35mm f/1.4 lens * f/11 * 1/250 sec

The above photo definitely lended itself to black and white because of the corresponding black and white stone on the wall. Terez blends in with the photo better, vs the color version where she would stand out too much with her blue shorts.

This next shot though works well in color. It almost has a painted quality to it.

ISO 200 * 16-55mm f/2.8 lens @ 28.3mm * f/8 * 1/160 sec

We left the plaza / town square and moved on to do some more street photography. Damien ran across this nice wooden door and set up the AD600. The above image looks nice in color because of Terez’s skin tone and matching tone of the stone wall. And the dark wooden door provides a nice backdrop.

Moving along about 50 yards we found another door and set up the AD600, this time with a softbox.

ISO 200 * 16-55mm f/2.8 lens @ 40.1mm * f/11 * 1/250 sec

It’s amazing what one can do with a simple old doorway that most people would ignore.

Next, as we were about to leave the walled city of Volterra, we can across this next scene.

ISO 200 * 16-55mm f/2.8 lens @ 37.6mm * f/9 * 1/30 sec

No AD600 this time, just natural light. The streaming water on the right side of the frame is coming out of the wall and pouring into a trough, and then goes into the small pool behind Terez. I shot this at 1/30 sec, handheld in order to make the water look as milky as possible. Thankfully, the X-H1 does have IBIS, so I wasn’t worried about shooting at that low of a shutter speed.

After leaving Volterra, we returned to the villa and Damien told us that we could either take a break for an hour or join him in the dining room to see how he works with Lightroom. I chose the latter and was amazed at how quickly he worked. Well, perhaps quick is the wrong word … because Damien has such a good eye for things, he barely had to do anything in Lightroom; his composition and lighting were spot-on when he took the shot, thus lessening his time post-processing.

After that quick Lightroom session, Damien had us gather by the pool for one more shoot. For the pool shoot, there was a AD600 to the right as the key light and a AD200 to the left as a hair light.

ISO 200 * 56mm f/1.2 lens * f/16 * 1/250 sec

In order to achieve the above shot and the following shot, I actually had to lean out over the pool! My left elbow was probably a mere two or three inches from the surface of the water.

I loved the above shot, but then remembered seeing Terez practicing yoga earlier, so I asked her if she could strike a yoga pose.

ISO 200 * 56mm f/1.2 lens * f/16 * 1/250 sec

What a wonderful way for our photo workshop to come to an end! Afterwards, we stowed away most of our gear and met on the patio for dinner and enjoyed each other’s company as the stars came out.

I did take some time to do astrophotography, but it’s the memories of the past few days and the friends that I made, those will stick with me more than anything else.

My thanks to the amazing Damien Lovegrove for not only inspiring me over the past few years, but also for how he generously gave of his knowledge during the workshop. And many thanks to the very talented Terez Kocova, who helped us all get amazing shots!